telling the story of the 9/11 Report

Although I find reasons to criticize most of it, I’m a pop culture fan—and a fan of anything that gets people to understand our world a little better, regardless of the format—so it will come as no surprise to regular readers of this blog that I’m enthusiastic about this graphic adaptation of The 9/11 Report, which was published a couple of weeks ago to little fanfare but which apparently has been enjoying excellent sales.

The book boasted an initial print run of 60,000 copies, and has gone back for additional printings of 20,000. And like its original source material, which was published two years ago, the adaptation has made the New York Times bestseller list, debuting at No. 6 in the paperback nonfiction category.

Veteran children’s comic book writers Sid Jacobson and Ernie Colón, who are both in their mid-seventies, are my new heroes. Having spent their 50-year career doing work-for-hire, they made a fascinating discovery (interestingly, one that has not been mentioned anywhere in the hysteria over ABC’s The Path to 9/11) and ran with it:

one of Jacobson’s biggest paydays is coming from a property that he had absolutely no hand in creating. As a work of the U.S. government, the 9/11 report falls in the public domain, a fact discovered by Colón when he read a news story about director Ron Howard’s effort to turn the report into a film. [emphasis added]

(Memo to Bill Clinton, Esq.: The Report is in the public domain, which means anyone has the right to publish it. And toy with it.)

Anyway, the writers took the 567-page report and, in 16 months, condensed it down to 131 comic-book pages:

As expected, the project has its critics:

[S]ome critics of the adaptation argue the medium is an inappropriate venue for such a sensitive topic.

In particular, they’ve taken umbrage with Colón’s use of “Blamm!” in big red letters in a panel showing American Airlines Flight 77 crashing into the Pentagon.

Indeed, I can see that this is not for all tastes:

But Commission co-chairs Hamilton and Kean both endorsed the project after noting that it was serious and faithful to the Report. And Hamilton noted the most important reason for endorsing it: graphic novels reach a different audience—one we especially need to reach.

“It also opens the report up to a whole new audience that doesn’t read much anymore.” [emphasis added]

Oh—and Stan Lee loves it too:

“Never before have I seen a non-fiction book as beautifully and compellingly written and illustrated as The 9/11 Report, A Graphic Adaptation. I cannot recommend it too highly. It will surely set the standard for all future works of contemporary history, graphic or otherwise, and should be required reading in every home, school and library.”

Next up for Colon and Jacobson: a graphic adaptation of the war on terror, based on news reports.